One Minute's Video 2026: Insubordinate Feminisms
Almost two decades ago, on the tenth anniversary of The One-Minute Video, the call for submissions became a space to imagine and reclaim insubordination. The women who participated made it their own through more radical everyday actions: disobeying the rules, dancing in their underwear, eating without guilt, shouting out their discontent, or simply refusing to conform to what was expected of them. Today, twenty years later, we are revisiting those images: what does it mean to disobey now? What forms does insubordination take in our lives?
This call is an invitation to look back in order to move forward, to revisit those actions, to challenge them, and to transform them.
The Open Call
One Minute’s video is an invitation to take the cameras, to film and to generate your own senses about a particular subject. It is an open call to create with your friends, alone or in virtuality. The video of the minute embraces the philosophy DIY/DIWT, free and easy creation, the domestic, the public, the collective … and the pleasure.
The videos received during the open call become a collective and kaleidoscopic piece that brings together different experiences around a starting idea. Every year we renew the invitation to film with a new thematic proposal.
One Minute’s Video is also an archive of free images that the participants have been nourishing since 1997 with their videos. This online archive invites to rereadand revision its contents in order to remain alive and vibrant.
Audiovisual piece’s requirements:
- Be made by women, without limitation of age or nationality.
- Stick to the topic proposed in the open call.
- Digital format (.mov or .mp4).
- One minute long.
- Pieces containing discriminatory content will not be accepted.
- Pieces containing advertising from companies, entities or groups will not be accepted.
Once you have filled this form, pieces must be sent before June 30th through WeTransfer to alba@dracmagic.cat.
Movern Callar, Lynne Ramsay, 2002.
Katatsumori, Naomi Kawase, 1994.